I first encountered T. M. Jayaratne through the films of K. A. W. Perera. I never bothered to check out his other work because, for me, he was at his best when he was crooning about love, be it young, requited, spurned, or revived. The themes these movies evoked, I felt, were most sincerely articulated by his voice. It ...
In Ananda Abeynayake’s Kande Gedara (scripted by Somaweera Senanayake) there is a servant to the two protagonists who is casually referred to as “Kalagune” (for what reason, we are never told). The protagonists, an ageing couple (the father, played by Rohana Baddage, is placid and friendly, tolerant of everyone, including his wife, played by Ramya Wanigasekara, who’s more hostile ...
He wasn’t large in stature, but he would stand there in the centre of his musical group known as the “La Ceylonians”, over-large straw hat on his head, simple open-necked shirt, with the inevitable sarong, generally worn by most Sri Lankans and barefoot, clutching either an acoustic guitar or a banjo-mandolin and singing songs, many of which he wrote ...
There’s a sweet, almost naive sense of innocence in the early performances of Vasanthi Chathurani. It’s a new sensibility, to me, since a very few actors here, male or female, have been as able as she has been to project a form of purity that is at once enticing and delicate. Most of our actors are content in entrancing ...
Jayantha Chandrasiri likes to talk, I have always noticed. And how. He can explain and rationalise something that appears to be so portentous and heavy that once he stops talking you are left telling yourself, “Damn, why didn’t I think of that before?” At times, though, he can get mysterious, offering explanations for something none of which make sense ...
Music is, at least after the cinema, the most collaborative of all art-forms. Songs in particular require collaboration, to the extent that authorship is impossible to ascribe. On the other hand, however, this does not and will not deny the individual artiste a personal signature. Talent can’t be collectivised, this much we should know. That is why there are ...
In Ran Diya Dahara Udayakantha Warnasuriya alludes to his advertising career: he gets a graphic designer to crop Geetha Kumarasinghe on a photo of Kamal Addaraarachchi and to make it appear as though the two of them were secretly married. Kamal, a crippled soldier, can’t talk, and in the first few sequences of these two together he is as ...
Also known as “The Godfather of Baila” in Sri Lanka, or Ceylon, at the time I was first privileged to meet him in the famous Suburb of Moratuwa, was Ollington Mervin Bastiansz, aka Wally Bastiansz (1913-1985). As I remember it, Wally was a Police Sargeant, a young-looking 33 (with an old guitar), and me, myself,a much younger”wannabe”entertainer, around 10 ...
Some days are special. They celebrate life. They record milestones. They ensure that we do not forget. Not all are special and not all record history, but they tend to be special nevertheless. Sure, we sometimes forget why, but just for once, if we can concentrate on the particularities of a date, we will find that there are more ...
From 1969, which saw Sugathapala Senarath Yapa’s Hanthane Kathawa, to 1989, which saw Vasantha Obeyesekere’s Kadapathaka Chaya, Vijaya Kumaratunga, the greatest matinee idol to ever grace the screen in this country, averaged about five movies a year. In both these films, undervalued for their time, reassessed more favourably today, he was cast opposite that other great actor, Swarna Mallawarachchi, ...
Some days are special. They celebrate life. They record milestones. They ensure that we do not forget. Not all are special and not all record history, but they tend to be special nevertheless. Sure, we sometimes forget why, but just for once, if we can concentrate on the particularities of a date, we will find that there are more ...
