Aabid Ismail and Janul de Silva: Unscrambling the scrambled

Fragments

Inflating the critics, inflating the critiqued

Fragments

Some reflections on the cultural bourgeoisie

Fragments

On getting that 'culture' right

Fragments

Candid reflections on our art house films

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Anoja Weerasinghe: Between the one and the other

Fragments

Douglas Ranasinghe: Second to none

Fragments

It’s great art, but is it a good movie?

Fragments

Notes on theatre and cinema

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The year at large

Fragments

A melody for a milieu: From Hubert to Clarence

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A Christmas wish for Nandani’s shelter of hope

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Reflections on a nation of non-readers

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The education discourse and its ethnic discontents

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A part of their lives: The Sooriya Village gears up

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'Vivace': Between the beat and the ensemble

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A shell shocked world: More cuts on the private sphere

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Nita Fernando and the parameters of fame

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'The Disaster Artist': The (un)making of a movie

Fragments

Punya Heendeniya and the cinema of femininity

Fragments