Chamara Dabare: The evolution of a Tusker

Fragments

The legacy of Dayan Jayatilleka

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With or without Olympus: A reading of 'Trojan Kanthawo'

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'The Songs We Love': Hitting the rewind button

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Samitha Abeyrathne’s return to form

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On capitulating to headless cadavers

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Lester James Peries: The underlying underside

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'The Garage Show': A manifesto against conventional theatre

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The proof of the pudding

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T. M. Jayaratne: The man behind the voice

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‘Visi Ata’: Searching for Suddhi

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In search of a Sri Lankan cultural modernity

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'Vaishnavee': The return of Sumitra Peries

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Drama Comp 2017: The good, the bad, and the mediocre

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Fadil Iqbal’s journeys: One country, nine days

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'Battle of the Kings': Of kings, knights, pawns, and players

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The law as a schoolboy sees it

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The 'Olcottisation' of Project Gotabaya

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Remembering Jaffna: Glimpses of hope and despair

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'Kularatne of Ananda': The man and his work

Fragments